Check out Ryan Jones in this month’s edition of Paper City magazine in Dallas
The Christopher Martin art gallery is celebrating their newest exhibition “HIDDEN MESSAGES” on September 26th from 5-8PM. Introducing new artist Ryan Jones and new work from other talented artists!
Ryan Jones at Christopher Martin Gallery
Discover the unseen. Join us for HIDDEN MESSAGES, an extraordinary group exhibition debuting American artist Ryan Jones in Dallas. MEET THE ARTIST! Watch Dr. Keith Harley explore the exhibition.
https://www.instagram.com/reel/DPCjMJxD3oQ/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
📍 Christopher Martin Gallery | Dallas Design District
🗓 Opening Reception Friday September 26th | 5–8 PM
An evening where culture, creativity, and cinematic storytelling collide. Be sure to RSVP before you arrive!
@christophermartingallery
https://www.christophermartingallery.com/ryan-jones
This October, Christopher Martin Gallery—celebrated for its innovative exhibitions in Dallas and Aspen—will introduce Apex Gallery, a first-of-its-kind art fair experience debuting at the Formula 1 United States Grand Prix at Circuit of the Americas (COTA) in Austin.
From October 17–19, 2025, Apex Gallery will transform the race weekend into a cultural destination, uniting world-class contemporary artists, serious collectors, and art enthusiasts. Curated exclusively by Christopher Martin Gallery, the event reimagines the traditional art fair format, bringing the prestige of the gallery’s roster into the dynamic world of Formula 1.
The inaugural presentation highlights the gallery’s commitment to excellence and discovery. Featured works include Christopher Martin’s signature reverse paintings on acrylic, Costa Christ’s Porsche and Ferrari hood photography, Knox Kronenberg’s editions mixing racing and western culture, Jeff Muhs’ race inspired sculpture, and striking works by Ryan Jones, Brendan Murphy, Michael Sirvet, Isabelle Van Zeijl, and Steve Wrubel.
By curating Apex Gallery, Christopher Martin Gallery affirms its role as a leader in blending art, innovation, and lifestyle. Just as Formula 1 defines speed and spectacle, Apex Gallery will stand as a new benchmark for cultural experiences within global sporting events.
Christopher Martin Gallery presents Apex Gallery—where art meets speed at COTA.
Ryan Jones is an American artist whose work bridges classical painting techniques with the immediacy of contemporary realism. Born in Alameda, California, Jones draws from a diverse background that combines formal artistic education with a cinematic sensibility honed in Hollywood. His paintings are a testament to his lifelong dialogue between tradition and innovation, offering viewers a unique lens through which to examine both personal and collective identity.
Jones’ path to artistry was anything but conventional. He began his formal training at the California College of the Arts, a foundation that grounded him in classical techniques and critical theory. Later, at Stanford University, he studied under the renowned artist Enrique Chagoya, whose mentorship played a pivotal role in shaping Jones’ conceptual depth and cultural awareness. While at Stanford, Jones pursued a dual degree in Art and Engineering—an unusual but telling combination that hints at the precision, structure, and analytical approach that underscore his painterly practice.
This fusion of disciplines enriched his ability to navigate both the creative and technical aspects of image-making, setting the stage for his future career in film and fine art.
After completing his studies, Jones took his talents to the film industry, working for George Lucas on some of Hollywood’s most iconic productions. His experience in cinematic matte painting—crafting hyperrealistic backdrops that seamlessly integrate with live action—taught him to think in terms of narrative, scale, and atmosphere. These elements remain visible in his fine art today, where each canvas feels like a carefully composed film frame, rich with emotion and layered meaning.
This period of his life also expanded his global perspective. His career brought him to Singapore, where he lived and worked for several years, absorbing cultural nuances and further diversifying his visual language. Ultimately, Jones returned to Mill Valley, California, where he now lives and works, translating his multifaceted experiences into a singular artistic voice.
Despite his academic background, Jones considers himself largely self-taught—particularly in his commitment to studying and emulating the techniques of the old masters. His admiration for Renaissance and Baroque painters is evident in his mastery of light, composition, and form. Yet he does not replicate the past. Instead, he reinvents it, embedding classical techniques within modern subjects and settings.
This duality—respect for tradition coupled with contemporary insight—positions Jones as a rare figure in today’s art world: a realist painter whose work feels neither dated nor derivative. Instead, his canvases pulse with relevance, offering viewers an introspective exploration of the modern condition through a historical lens.
In his latest body of work, Jones turns his gaze to the visual language of pop culture. Through a striking series of divided canvases, he deconstructs and reconstructs iconic imagery—from classic cars and vintage timepieces to legendary Hollywood figures—into compelling visual dialogues. These paintings do more than merely reference cultural milestones; they challenge viewers to examine their personal relationships with nostalgia, fame, and material desire.
Jones’ technique is informed by his background in film, where juxtaposition and montage are key storytelling tools. By splitting his compositions into multiple visual planes, he invites viewers to engage more deeply, piecing together layered meanings and symbolic connections. The result is a body of work that feels both analytical and emotional—celebratory of its subjects yet critical of the ways in which they’ve been consumed and commodified.
At a time when visual content is consumed at unprecedented speed, Jones offers a refreshing counterpoint. His paintings demand time and attention. They slow down the viewer, urging contemplation rather than scrolling. In doing so, they underscore the enduring power of imagery—not as fleeting entertainment, but as cultural memory.
His work also raises critical questions about identity in the digital era. How do icons from the past continue to shape who we are? What happens when historical imagery collides with the curated realities of social media? Jones doesn’t offer easy answers, but his canvases pose these questions with elegance and insight.
Ryan Jones’ paintings have been exhibited in leading galleries, museums, and international art fairs. They reside in prestigious private collections across the globe, attracting attention from collectors and curators who appreciate both their technical mastery and conceptual depth.
As Jones continues to evolve, one thing remains constant: his commitment to creating work that resonates beyond the canvas. Whether evoking the timelessness of classical portraiture or dissecting the allure of pop culture icons, his art consistently invites viewers to engage more deeply—with history, with society, and with themselves.
Artist Spotlight: Ryan Jones Uses His Silver-Screen Skills to Tell New Stories on Canvas
Artist Ryan Jones seen here with Prince Albert II of Monaco
Artist Ryan Jones seen here with Prince Albert II of Monaco
Artist Ryan Jones seen here with Prince Albert II of Monaco
https://gingermartin.com/blog/spotlight-on-caldwell-snyder
Painter Ryan Jones layers sultry imagery to invoke an inquisitive emotional response, and his lavish designs mimic a bygone gilded era of Hollywood—effortlessly glamorous and equally gritty. Primarily done in black and white monotone, his noir paintings are nostalgic, evocative, and often touch on themes of travel and luxury.
